A PAIR OF ITALIAN SILVER PLATED PHEASANTS, table decoration, a male & female pheasant, each 11" long, marked 'Italy' and 'Made in Italy'

18TH CENTURY BLUE & WHITE EXPORT PORCELAIN DISH with pagoda & tree decoration, 7" wide

A 19TH CENTURY CRANBERRY & CLEAR GLASS MANTLE LUSTRE

DOROTHY BLACKHAM, (IRISH 1896 – 1975) "IN THE GLEN", pastel on paper, signed lower left, artist's and framer's labels verso, 8.5" x 7.5" approx drawing, 14.5" x 11.75" approx frame Born in Dublin, Dorothy Blackham (who later became Dorothy Stewart) entered the RHA Schools during the First World War and later studied at the Goldsmith's College in London. She is associated with the Yeats sisters, Elizabeth and Lily, and contributed linocuts for their Cuala Press productions. Blackham was a prolific artist, exhibiting and contributing throughout Ireland & England from 1916 onwards. Exhibiting regularly with the RHA, her work was also being shown by the Ulster Society of Women Artists, The Watercolour Society of Ireland, and the Arts & Crafts Society of Ireland. Her friend, and fellow artist, Mainie Jellett was a significant influence on Blackham. Through Jellett, she became interested in The White Stag Group and exhibited with them four times between 1940 and 1941. She was a member of the Dublin Painter’s Society, exhibiting with them in the late 1930s. As well as being an active artist, she taught in a number of Dublin schools. She married Elsner Stewart in 1947, and the couple moved to London. Whilst there, Blackham continued her career as a teacher, and exhibited under her maiden name. She was exhibited by the Royal Academy of Arts, The Royal West of England Academy, The United Society of Artists, and the Royal Society of British Artists. Her work generally drew on Ireland for inspiration, in particular the north and west of the country, she also created works based on scenes in London and continental Europe.

A LATE 19TH CENTURY SILVER TWO HANDLED SUGAR BOWL, with gilt interior, the ribbed decorated body, marks below, Sheffield, maker’s mark HA likely for Atkin Brothers, date letter ‘Q’ for 1883, 7.5” handle to handle, 4” tall approx, 242gms approx

A 9CT YELLOW GOLD SAPPHIRE, DIAMOND & RUBY 'BUTTERFLY' BROOCH, 1.5" wide approx

A STUNNING CRESENT SHAPED DIAMOND & EMERALD BROOCH, with ribbon & floral spray design, 9CT yellow gold frame, 3" long approx

AN AMETHYST BROOCH / PENDANT with seed pearl & turquoise surround set in 9CT gold frame, 4cm x 3.5cm approx

TWO DECANTERS, (i) An 18th century three ring necked blue glass decanter with stopper, (ii) A Victorian cranberry glass decanter with stopper (2)

A COLLECTION OF 'HAT PINS', (i) topped with a little dog, (ii) a Cameo style tip, (iii) & (iv) gold pin with single stone setting (v) tipped with a horse shoe shaped setting with seed pearls

A PAIR OF SILVER PLATED CANDELABRA, three arms to each, decorated with floral motif, each with a tapered body and circular base, 19" tall x 16" wide

AN IRISH WATERFORD CRYSTAL DECANTER, in original box, with Waterford marks, 13" high approx

AN SET OF IRISH WATERFORD CRYSTAL GLASSES, in original box, with Waterford marks, in excellent condition, 5.5" tall approx each

HENRY DUNNE, "HORSES RACING ON A BEACH", oil on canvas, signed lower right, 16" x 12" approx canvas, 21" x 17" approx frame

TERRY DELANEY, "PROMENADE" oil on canvas, signed lower right, inscribed verso, 19.5" x 20" canvas, 25" x 25" approx frame

20TH CENTURY, "STILL LIFE WITH JUG AND FRUIT", oil on canvas unsigned, 15.5" x 11.5" approx canvas, 19.5" x 15.5" approx frame

KATIE BUTTIMER, (IRISH), "FOREST GLAD", watercolour on paper, signed lower left, 11" x 11" approx, 17" x 18" approx frame, Katie Buttimer is a contemporary Irish landscape artist, based in the inspiring West Cork area of Ireland. Her work is mainly created through the medium of acrylic. Her work is inspired very much by the countryside that surrounds her, from the fields, and rivers to the sea and mountains. “I am a country girl at heart. I just love everything country from fences to bogs and fields.” The Corkman, Sep.

TOM BYRNE, (Irish, b. 1962), "MOON RISING OVER THE COPPER COAST", mixed media on canvas, signed lower centre, Apollo Gallery stamp verso, 30" x 20.5" approx canvas, Tom Byrne was born in Dublin in 1962. He studied at Dun Laoghaire College of Art and Design, where he trained in the Bauhaus tradition, a revolutionary 20th century school of artistic training which integrated craftsmanship, art and technology. He has forged a strong following through the decades since he left Dun Laoghaire and has a strong following amongst buyers of Irish contemporary art. The artist has been known to say that religion, politics & celebrity, all play important roles in his work. He has a strong interest in current affairs, but also draws inspiration from the everyday. He uses layers and mixed media to create works that have a great depth to them, which help to engage the viewer in what is a multi sensory experience. He has exhibited throughout Ireland and abroad, with his portrait series appearing at Lissadell House, City Assembly House Dublin and the Luan Gallery in Athlone, to name a few. Byrne currently has an exhibition in Lithuania, titled “The Source of the Strength of Two Modern Nations. Lithuania and Ireland in the eyes of an artist”.

AN ASTRAGAL GLAZED CABINET, two door, with shelved interior, with string inlaid detail, raised on tapered leg 63" x 42" 15" approx

A SILVER DRESSING TABLE SET, includes two brushes and mirror, with engine-cut design

A CARVED STONE TIGER, with four small snuff boxes (5)

A PAIR OF FRAMED PRINTS, Beljambe after Danloux, (i) Ah” Si Je Te Tenais” (ii) “Je t’en ratisse”

A METAL FISHING TACKLE BOX, with foldout shelves having compartments, some flies included with more booklets of fishing flies

CHINESE PORCELAIN DISH AND COVER, famille rose palette, 8" diameter

19TH CENTURY HAND-PAINTED FAN, in original papier maché box, 12" wide

PAIR OF CLOISONNÉ VASES, stamped "Peoples Republic of China" beneath, 5" high

19TH CENTURY WATERCOLOUR ON PAPER, "SPANISH CITY" possibly Toledo, unsigned, 14.5" x 9.5" approx painting, 19" x 14" approx frame

19TH CENTURY CHINESE EXPORT PORCELAIN BLUE & WHITE SAUCE BOAT

(5) WILLOW & BRIDGE PATTERN CHINESE BLUE & WHITE EXPORT WARE PLATES, each 8" in diam approx

(6) WILLOW & BRIDGE PATTERN CHINESE BLUE & WHITE EXPORT WARE PLATES, each 8" in diam approx

19TH CENTURY INDIAN CIGARETTE CASE with abstract decoration

A GENUINE HANDKNOTTED BALOUCH RUG, hand knotted, Western Afghanistan, pile pure hand spun wool with vegetable dyes, 130cm x 80cm approx

A GENUINE HANDKNOTTED BALOUCH RUG, hand knotted, from Heart Western Afghanistan, pure hand spun wool pile, vegetable dyes, 130cm x 80cm approx

PAIR OF GERMAN PORCELAIN FIGURINES OF PUG DOGS, with baskets in mouths, stamped to back "3359 Germany"

A COLLECTION OF 10 ORNAMENTAL ELEPHANTS & A CARVED WOODEN HEAD REST WITH ELEPHANT STAND

A COLLECTION OF INDIAN TERRACOTTA FIGURES, 3" tall each approx (12)

TWO 19TH CENTURY FRAMED PRINTS, (i) Arch Ludivico Magno (ii) Berlin

A COLLECTION OF BOXES, includes boxes from different countries including China, India, England & Holland (7)

FOUR 19TH CENTURY SNUFF BOXES, some with mother of pearl inlaid detail (4)

A FAMILLE VERTE PLATE, with cartouche border with floral decoration, the centre image of birds amongst reeds and water, decorated also to the reverse with floral details, 6 character mark beneath, in very good condition, 10" diam

AN 18TH CENTURY CHINESE PORCELAIN MUG, of baluster form with plain loop handle, painted in famille rose enamels with figures in a landscape, with floral and rockery details, 5” tall approx, in very good condition

A WATERFORD CUT GLASS JUG & BOWL, in very good condition, 4" high (Jug) 4" diam (bowl), 2.25" high (bowl)

A SET OF 6 WATERFORD CUT GLASS WINE GLASSES, with Waterford marks, 5.5" tall approx

A 19TH CENTURY IRISH CUT GLASS SPIRITY DECANTER, with matching stopper

A CUT GLASS CENTRE / FRUIT BOWL, 8" wide, 4" high approx, marked beneath 'Wilby England'

A VERY FINE CUT GLASS DECANTER WITH STOPPER, no maker's mark, with a 'Brown Sherry' label decorated with floral design, 10.5" tall including stopper approx

A COLLECTION OF VARIOUS SILVER & PLATED CUPS (6)

A COLLECTION OF SMALL BOXES, (8)

A MISCELLANEOUS LOT OF INTERESTING OBJECTS, includes a silver pin tray, (12)

HENRY P. STEVENS, "WHITEFISH CORNER", etching on paper, signed lower right, inscribed lower left, 7" x 5" approx plate, 16" x 13" approx frame